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Katherine Rizzo,visual artist
June 30-July 25
Rizzo is the first alumni resident (’02) of the Artist House program,
and is completing her graduate work at the University of California at
Santa Cruz in the Science Communication Department with a focus is in scientific
illustration. A native of Maryland, Rizzo has long been interested in the
intersections of art and science. As a high school student she participated
in the Global Ecology Studies Program at Poolesville High School, and while
at St. Mary’s College of Maryland majored in both studio art and
biology. Her studies included the Scientific Illustration course taught
by Professors Sue Johnson and Chris Tanner, and later in her SMCM career
she served at the Teaching Assistant for that course. While at SMCM she
created illustrations for the Slack Water issue on the Oyster Wars of the
Chesapeake Bay and illustrations for Dr. Walter hatch’s
papers on a new Australian soft coral species. In 2001 she was
an intern
at the National
Science Foundation in Arlington, VA and participated in the natural
illustration summer program at the Humboldt Field Institute in
Steuben, ME. She creates
her artwork in traditional scientific illustration drawing mediums
of pencil and ink, while also pursuing newer digital techniques.
Residency plans include completing scientific illustrations
for the St. Mary’s River Project, and beginning new creative
work using digital technologies.
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Molly Rausch, visual artist
August 30 – October
20
Rausch received her M.F.A. from the State University of New York, New
Paltz (2003), and a B.A. in art from St. Mary’s College of Maryland (1997).
She has taught foundation courses at SUNY New Paltz. She has served as
an intern at Pyramid Atlantic, and received several graduate fellowships
and the Outstanding Graduate Award. Her work has been shown in exhibitions
at La Casa Roja Gallery, Hunter College Gallery, St. Mary’s College
of Maryland, the State University of New York at New Paltz.
During a residency she plans to work in printmaking and artist books.
Molly will also teach a 1-credit half-semester studio art course, Ex
Libris,
which examines the parallels between text-based and image-based constructions.
She will present a public lecture on her work on Monday, September 22 at
4:45 in Library 321. Molly will also interact with art students by offering
individual studio critiques and participating in the SMP group critiques.
She also proposes to extend the faculty interview project she carried out
while a graduate student at SUNY New Paltz that addresses faculty in their
roles as professor, artist and family member.
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Garrett Byrnes, composer
September 2- October 10
Byrnes received a Bachelor of Music from The Boston Conservatory in 1995
and a Masters degree in 1999 from the Peabody Institute of the Johns
Hopkins University. He is currently pursuing his Doctorate at Indiana
University where he has served as associate instructor of composition.
Byrnes’ compositions have been performed in the United States,
Europe and Asia. He has received readings and performances by organizations
including the Indianapolis Symphony Orchestra, Contra Costa Chamber Orchestra,
Chesapeake Youth Repertory Orchestra and CYSO Flute Choir, Aspen Summer
Festival Orchestra, orchestras of Indiana University and Peabody Institute,
Kylix new music ensemble, Tonus Percussion Group and the Tarab cello
ensemble as well as notable soloists. He has received awards and grants
from the American Music Center, National Association of Composers, USA
International Harp Competition, Southeastern Composers League, Tampa
Bay Composers Forum, ASCAP, The Boston Conservatory, the Deans’ Prize
from Indiana University and fellowships from the Virginia Center for
the Creative Arts and Yaddo. Recent compositions include Cosmopolitan
Etudes (Book 1) for piano, Five Pieces for Cello & Piano, Triptyclysm
for percussion trio and Persist for eight cellos.
During his residency Byrnes will be working on the Piano Concerto commissioned
by The Indiana University New Music Ensemble, which is scheduled to be
premiered by pianist Ji-Hye Chang in February 2004.
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Reni Gower, visual artist
October 13-24
Gower currently resides in Richmond, Virginia where she is an Associate
Professor in the Painting and Printmaking Department at Virginia Commonwealth
University. She holds a B.F.A. from Syracuse University, a M.F.A. from
University of Minnesota-Duluth, and a B.S. from the University of Wisconsin-Madison.
Since 1974, Reni Gower has exhibited her artwork extensively throughout
the country; including the Erie Museum of Art, Erie, PA; Villa Terrace
Decorative Art Museum, Milwaukee, WI; South Carolina State Museum,
Columbia, SC, Southeastern Center for Contemporary Art, Winston-Salem,
NC; Virginia
Museum of Art, Richmond, VA; Munson-Williams-Proctor Institute, Utica,
NY; Everson Museum, Syracuse, NY; Tweed Museum of Art, Duluth, MN;
A.I.R. Gallery, New York, NY; Anton Gallery, Washington, D.C.; Barbara
Gillman
Gallery, Miami, FL; Reynolds Gallery, Richmond, VA. Her work has been
showcased internationally as well in Korea, Israel, Belgium, Peru,
England, Moldova, and Moscow. Ms. Gower has received numerous grants
and awards
including a NEA / SECCA Southeastern Artist Fellowship, University
Faculty Grants for Teaching Excellence, and two Ford Foundation Grants
awarded
through Syracuse University. Her work is represented in various collections
including the Library of Congress Print Collection; Pleasant Company
/ Mattel, Inc; the American Embassies in Lima, Peru and Osaka, Japan;
Media General, Inc; and the Federal Reserve Bank.
Gower’s paintings will be part of the collaborative exhibition
between poets and painters, Pivot Points on exhibition in the Boyden
Gallery, Montgomery
Hall, October 20-November 15, 2003. During her residency she will work
on two series of artworks on paper, which will be exhibited in two upcoming
exhibitions. During her residency she will attend the Boyden Gallery
exhibition, participate in the gallery talk at the opening reception
on Wed. October
22, 5-6pm, and meet informally with students in printmaking and painting.
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Marlys West, poet
Oct. 27 – November 6
West, a native of Louisiana, graduated from St. Mary's College of Maryland
in 1988 with a BA in English. She earned an MFA in poetry from the Michener
Center for Writers in Texas and an MA in literature from the University
of Virginia. Her work has appeared in literary journals, anthologies
and newspapers. The University of Akron Press published her book of poems, "Notes
for a Late-Blooming Martyr," of which Naomi Shihab Nye has said, "Marlys
West's poems do jazz with our brain. What a refreshing wonder she is!
We thank her for the stunning dazzle-dare of her lines and their spiky
twists of art." She is a 2002-2003 Hodder Fellow at Princeton University
and a National Endowment for the Arts grant recipient in poetry for 2003-
2004.
While in residence, West will be polishing her new manuscript of poetry,
and will be available to meet with students. She will present a reading
of her new work to the campus community on Wednesday, Oct. 29.
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Charles Burmeister, Film maker and scriptwriter
Oct. 27 – November
6
Burmeister's short films have appeared at the Austin Film Festival, Dallas
Video Festival, San Antonio Film Festival, and the VIDEOEX Experimental
Film Festival in Zurich, Switzerland. His first feature-length film,
a documentary film called "The King of Sixth Street," premiered
at the Independent Film Festival of Boston 2003 where it won the Special
Jury Award for Documentary Feature. A screenwriter who has optioned a
script, been hired for a rewrite and won several awards, he was a recipient
of
a Michener Fellowship in Writing at the University of Texas at Austin
where he received his MFA in screenwriting in 1998. He is currently developing
a feature narrative film he plans to direct in 2004.
While in residence, Burmeister will be working on the script and storyboard
for his next film, and will also have time to meet with students and
will present a screening of some of his films.
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Laura Elrick
Nov. 13-16
Laura Elrick's poetry and essays have appeared in numerous places, including Tripwire, Combo, The Tangent, Crayon, Torquere (Canada), and Quid (UK). She lives in New York City where she is a co-curator for the Segue on the Bowery reading series. Her first book, sKincerity, was published this year by Krupskaya Press.
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Kristen Prevallet
Nov. 13-16
Kristin Prevallet is a cultural worker who writes essays, translates from the French, makes videos, teaches, revolts, and collaborates with visual artists. Her recent book of poems is Scratch Sides: Poetry, Documentation, and Image-text Projects. She lives in Brooklyn.
Elrick and Prevallet will use their residency away from their busy Brooklyn schedules to compose new work.
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Kimberly Thorpe, visual artist
December 1 –12, 2003
Thorpe earned an M.F.A. from Rhode Island School of Design (1996) and a B.A. in art from St. Mary’s College of Maryland (1994). Her paintings grow from an interest in landscape, abstraction and imaginary views of nature. She likes to paint in places where colors, shapes and lines coalesce to form images of nature. Her work has been exhibited at The Phillips Collection, Hunter Museum of American Art, School 33 Art Center, Touchstone Gallery, Georgetown University Hospital and St. Mary’s College of Maryland. Thorpe has been the recipient of numerous scholarships and awards including several grants from the D.C. Commission on the Art and Humanities, Presidential Scholarship from the Rhode Island School of Design, and residency fellowships from the Vermont Studio Center and the Virginia Center for the Creative Arts. She has taught courses in painting and drawing at Black Rock Center for the Arts, Montgomery College, Rockville Arts Place and Rhode Island School of Design. The Parish Gallery in Washington, D.C represents Thorpe’s work.
During her residency Thorpe plans to create multiple-plate monoprints and paintings directly from the landscape as well as imaginative monoprints and drawings with landscape elements. This work will also combine digital imaging to layer photographic images based on landscape with her work in printmaking, painting and drawing. She will present a public lecture on her work on December 2 at 8:30pm (MH 151) and will also meet with art students during her residency.
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James Huckenpahler, visual artist
January 15- February 13
Huckenpahler, trained as a painter, now works primarily on a laptop.
He is currently growing digital images that could be dermatological
case
studies... or LandSat photos. He is a former faculty member of
the Corcoran College of Art and Design, and a former member of the
Washington
Project
for the Arts\Corcoran Advisory Board.
He is represented in Washington D.C. by FUSEBOX, and in Atlanta
by Kiang Gallery. In addition to plans for solo exhibitions at
both
galleries, he
will also be exhibiting with Joseph and John Dumbacher and Dan Steinhilber
at 1708 Gallery in Richmond in the fall of 2004, and his work was
recently included in Art on the Digital Edge at the Easton Art
Academy Museum.
During a residency the artist will continue his work in digital imaging.
He will also teach a half-semester seminar focused to the intersections
between old and new technologies. He will also present a public
lecture on his work and contemporary digital art, and interact with
art students
by offering individual studio critiques. Trained as a painter,
Huckenpahler now composes most all of his creative work on a laptop
and brings
significant expertise in digital and time-based media to his work
with students.
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Christopher Moore, visual artist
January 15-30
Moore currently lives and works in Brooklyn, New York. He earned a
B.A. from Hampshire College (1992) and an M.F.A. from the Rhode
Island School
of Design (1996). His work has been included in exhibitions at
the Rotunda Gallery, Urban Institute for Contemporary Art, Printed
Matter,
Milton
Hershey School Museum, and the Millennium Film Workshop. He has
received residency fellowships by Galleri Stadpark in Austria, Blue
Mountain
Center and Pouch Cove in Newfoundland.
Moore will extend the boundaries of his work in sculpture to create
new works in drawing and printmaking during a residency. His
work concerns
motion, function, love and amusement through an inventive use of
materials that often combine painted plywood, aluminum, steel,
fiberglass, bicycles,
light bulbs and motors. During his residency Moore will offer a
public lecture on this work.
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Judith Hall, poet
February 24- March 6
Hall is the author of To Put The Mouth To, which was selected for the
National Poetry Series, and Anatomy, Errata, winner of the Ohio State
University
Press publication award. Most recently she has published The Promised
Folly (TriQuarterly Books / Northwestern University Press, 2003).
Hall teaches at California Institute of Technology and has served
as poetry
editor of The Antioch Review since 1995. Hall is the recipient of
many awards including an Individual Fellowship from the National
Endowment
of the Arts, the Ohio State University Press Poetry Award in 1997,
a grant from the Ingram Merrill Foundation in 1984 and the Margaret
Bridgman
Fellowship in Poetry from the Bread Loaf Writers Conference in 1992.
Hall earned her bachelor's degree (1973) from Clark University, a
fine arts diploma (1976) from Corcoran School of Art and her master's
degree
(1979) from Johns Hopkins University. her poems have appeared in
numerous publications including the New Republic, Best American Poetry,
Paris
Review and Yale Review and she has taught at several universities
including Loyola College, St. Mary's College and UCLA.
While in residence at St. Mary's, Judith Hall will be working on
her new manuscript, which has the working title of Last Supper
in Milan. She will
conduct a writing workshop on campus and present a reading of her
work to the campus and local community on Tuesday, March 2.
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April Vollmer, visual artist
March 11-April 5
Vollmer lives and works on Manhattan’s lower east side. She received
her M.F.A. in printmaking from Hunter College in 1982. Focusing primarily
on Japanese woodcut, she also works in the computer, often combining traditional
and contemporary techniques. She has taught workshops at the Japan Society,
the Lower East Side Printshop, Pyramid Atlantic and Dieu Donné Papermill.
Her prints have been exhibited at The Phillips Museum of Art, Franklin
and Marshall College, Western Wyoming Community College, Ceres Project
Room, A.I.R. Gallery, Marymount Manhattan College, Manhattan Graphics Center,
Islip Art Museum and the St. John’s University and internationally.
Her work is in numerous collections including the University of Cambridge,
American Association for the Advancement of Science and the Equitable Corporation.
During a residency Vollmer plans to continue work on her project that utilizes
digital and handmade printing techniques: the Insect Mandala Prints create
transcendental images through the repetition of shapes derived from insect
forms. The artist creates prints inspired by the complex patterns from
elements in nature. Using a digital camera and scanner to document details
of nature, such as insects and flowers the artist brings these images into
the computer to manipulate into layered, abstract compositions. Vollmer
will lead printmaking sessions for art students focused to Japanese water-base
woodblock printing, a non-toxic technique she often uses in her own work.
The hanga woodcut is the traditional water-base woodcut technique used
by the Japanese ukiyo-e masters in the 17th century. She will also present
a public lecture on her work.
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Deborah Grant, visual artist
April 7-21
Grant earned a B.F.A. at Columbia College in Chicago, studied at the
Skowhegan School of Painting and Sculpture, and earned an M.F.A.
at Tyler School
of Art. Most recently she has been one of three artists-in-residence
at the Studio Museum in Harlem, and also participated in the A.I.M Program
at the Bronx Museum of the Arts. She has lectured on her work at Hunter
College, Tyler School of Art, The Bronx Museum of the Arts, The New School
University, Montclair State University and St. Mary’s College of
Maryland. Her work has been seen in a number of group exhibitions in
New York at David Beitzel Gallery, Knoedler Gallery, Sara Meltzer Gallery,
Triple Candie Gallery, The Bronx Museum, Roebling Hall, and Arena Gallery.
The New York Times, and the New York Press, and New York Magazine reviewed
her work in the Freestyle exhibition curated by Thelma Golden for the
Studio Museum in Harlem. The New York Times featured her work in an article
about the artists in residence at the SMH in Dec. 2002. Grant explains
the genesis of her RANDOM SELECT series; “This series began eight
years ago while I was sitting on the floor of my studio drawing on any
old paper. The memories of private school dorms, psych wards, crack and
smack dwellings, dead end bars in the afternoon, and the people that
I met in these places, are the catalyst for my drawings and paintings.
With the chaotic noise of the world that acts as a constant talk radio
station in my head. I draw and paint the realities of life as a bad Bosch
and Looney Tunes depiction….I decided to call my series RANDOM
SELECT. RANDOM would be defined as any subject matter that was social,
political, religious, and humorous imagery. While SELECT was the actual
choice of subject matter and how it was depicted. The whole point was
to take these random ideas and make them be seen as metaphors for the
human condition. This is the key to my Pandora’s Box.”
While in residence at the college, Grant will continue work on a series
of new mixed media works on chalkboards, and explore new approaches for
her ideas in digital printmaking. During a residency the artist will
present a public lecture on her work, and participate in the group
critiques of
SMP studio students and conduct individual studio visits.
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Teresa Whittaker, storyteller
April 23 - May 2
Rhythm and a mercurial voice are trademarks of Teresa Whitaker's lively
and joyous performances. Using guitar, Celtic harp, percussion
and improvisation she engages audiences with their own inherent creativity.
Blending beauty
and humor she performs both original and traditional stories and
songs from many different cultures. Recordings: In Gaia's Lap and
Earth and
Sky Lullaby. Residencies and workshops include: Storytelling and
Creative Writing; Learning to Tell Stories; Bringing Stories to
Life;
Story/songs
from Oral Histories), Heroine's Journey.
While in residence, Whittaker will be working on methodologies
for collaborative and group story telling. Her residency will
also provide
her some much
needed time and the opportunity think about the direction she wants
to move with her own work as a story teller. She will meet several
times with
a small group students who are interested in using and creating
myth as a means of telling stories about their own lives. She will
give
a presentation
of some of her own new work on Thursday, April 29.
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