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Mark Green, painter
June 12-30, 2004
Mark Green earned a B.F.A. in painting from Washington University in
St. Louis and an M.F.A. in painting from the University of Delaware.
He has had one-person exhibitions at the Rosenfeld Gallery, Galerie
du Domaine de Bassible, Galerie Saint Severin, American Chamber of
Commerce
in Paris, Circle Gallery and Swarthmore College. Green has taught
studio art at Parson’s School of Design’s satellite campus in Paris
and currently teaches at The Hackley School, a private secondary school,
just outside New York City. Mark Green’s work will be included
in the fall 2004 Boyden Gallery exhibition, HOUSE, October 18- November
13.
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Melissa Dean, multi-media
artist
July 4-23
Melissa Dean received a B.A. from St. Mary’s College of Maryland,
where she majored in studio art with a concentration in alternative photography.
Her senior work earned the Frank McCutcheon award from the Department of
Art & Art History, established for a senior student who shows promise
as an artist. Currently, her work primarily consists of lithographic
prints, combining text and imagery to portray collective memory and
archived experience,
while exploring the physicality of the art object. Her work has been
shown in several galleries in Maryland and Washington DC, has garnered
awards
in juried exhibitions and is held in private collections. In Fall 2004,
Dean will begin the M.F.A. program at the School of the Art Institute
of Chicago. Professionally, Dean has worked for the non-profit art
studio Pyramid Atlantic, taught Digital Arts at a DC high school and
photography
at Capitol Hill Arts Workshop.
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Claire Watkins, sculptor
August 2-22, 2004
Claire Watkins received her M.F.A. in sculpture from Virginia Commonwealth
University in 2004. As an undergraduate student, she studied in the
fiber department at the Kansas City Art Institute. After
obtaining a BFA, Claire
lived in New Mexico, where she made and exhibited art while co-owning
a small manufacturing business. She now lives and works in
Richmond, VA.
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Erick Johnson, painter
August 28-September 23, 2004
Artist Talk: Monday, Sept. 13, 8:30pm, Library 321
Erick Johnson is a New York based abstract painter
whose current work “investigates
the versatility of the calligraphic gesture as a carrier of compound meaning,
simultaneously referencing natural and psychological phenomena, reflecting
the fleeting and the fugitive as well as concrete physicality. Abstraction
bridges the gap between actual experience and actual material, both of
which are becoming increasingly rare in our current condition.” Johnson
received an M.F.A. in painting from Bard College in 2004 and a B.A. from
Empire State College in 1999, and studied in Lacoste, France with the Cleveland
Institute of Art program. He was recently in the exhibition, "Band
of Abstraction," at the Van Brunt Gallery in New York City and "Finesse," at
the Catherine Clark Gallery in San Francisco, and his work has been
shown in several one-person exhibitions including shows at the Salena
Gallery
of Long Island University and P.S. 122. He has been awarded residency
fellowships by the Virginia Center for the Creative Arts and the Vermont
Studio Center.
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Charlene W. (Suny) Monk, fiber
artist
September 27-October 8, 2004
Suny Monk is trained as a ceramist and for the last twenty years
has produced one-of-a-kind wearable art and has been a partner
in a clothing design
and fabrication business. Since 1997 Suny has served as the Executive
Director of the Virginia Center for the Creative Arts located
in Amherst, Virginia,
a working retreat for professional writers, artists and composers that
provides time and space to pursue their work. She earned a B.A. from
Marietta College and an M.F.A. from Ohio University. Formerly,
she taught art for
independent and public schools and was a partner in a fine jewelry
and crafts gallery in South Carolina. She has exhibited both
ceramics and fiber
art at Phoebus Gallery, Hilton Head, S.C., at Marietta College, Marietta,
O.H., and at the Virginia Center for the Creative Arts. Most recently,
she was a resident at Ragdale Foundation in Lake Forest, I.L. She has
served as a panelist for the Virginia Commission for the
Arts and the Mid Atlantic
Arts Foundation and as a consultant for the Appomattox Governors School
for Arts and Sciences. She is a board member of the Academy of Fine
Arts in Lynchburg, Virginia and Virginians for the Arts,
a statewide advocacy
group for arts and artists. She is also a member of the board of Alliance
of Artists Communities.
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Craig Pleasants, sculptor
and installation artist
October 11-21, 2004
Gallery reception and artist talk: Monday, Oct. 18, 5-6pm, Boyden
Gallery
Craig Pleasants’ has worked in a variety of media over the last twenty-five
years. His sculptures and installations have been shown at The Alternative
Museum, White Columns, Artist’s Space and Berland/Hall Gallery in
New York City, the Musee d'Art Contemporain in Marseille, France, Washington
Project for the Arts, in DC, Maryland Art Place, the Virginia Museum of
Fine Arts, the North Carolina Museum of Art and the Jersey City Museum.
His artists books are in the collection of the Museum of Modern Art, and
his interactive multi-media piece The Three Little Pigs: as it was originally
passed into English folklore in 1620 is one of the longest-running artworks
on the world-wide web, having originally launched in 1996. He has received
grants from the Pollock Krasner Foundation, the Virginia Commission for
the Arts, the South Carolina Arts Commission, and Art Matters. He is the
Program Director of the Virginia Center for the Creative Arts, a former
board member of the Alliance of Artists Communities and a current board
member of Riverviews Artspace, an artist’s live/work building in
Lynchburg, Virginia. Pleasant’s work will be on view at St. Mary’s
College of Maryland as he creates a site-specific installation piece as
part of the Boyden Gallery exhibition, HOUSE (October 18 – November
13, 2004).
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Kate MacDonnell, photographer
October 25-November 12, 2004
Artist Talk: Thursday, October 28, 8:30pm, Library 321
Taking advantage of the objective nature of the camera, Kate McDonnell
makes images of un-peopled domestic and public interiors. Looking for a
balance between familiarity and anonymity, she shoots the in-between places
of home focusing on the personalized touches created by the inhabitants
of these often standardized environments. In a connected body of work,
she focuses on the in between times of travel. McDonnell is from Upper
Marlboro, MD and currently lives in Washington, D.C. She earned a B.F.A
from the Corcoran College of Art and Design. In 2004 she was awarded a
young Artist Program Grant from the DC Commission on the Arts and Humanities,
and her photographs have been included in exhibitions at the WPA/Corcoran,
Woodstock Center for Photography and the Pittsburgh Center for the Arts.
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Vesna Pavlovic, photographer
November 15-December 10, 2004
Artist Talk: Wed. Nov. 17, 8:30pm, Cole Cinema
Born in Yugoslavia in 1970, Vesna Pavlovic lives and works in Belgrade.
She graduated in cinematography studies at the Academy of Drama Arts in
Belgrade. Her work has been exhibited widely, including sixteen solo shows
and numerous group exhibitions. Contributed to various collaborative photographic,
video and art projects, such as Sadness, Winter Diary, L'origine du Monde,
White Light/White Hit, Crossover and Zombie town. Awarded by the 40th October
Salon in Belgrade in 2001 for her series of photographs: Herzlich Willkommen
im Hotel Hyatt Belgrad, April 1999. In 2003 commissioned by European Cultural
Foundation to co-ordinate the Art For Social Change network joint art project
titled The BookProject, http://www.thebookproject.net/, presented at the
Almost Real conference in Centraal Museum in Utrecht in March 2004.
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Susana Viola Jacobson, painter
January 14-February 2, 2005
Artist Talk: Monday, Jan. 24, 8:30pm, Library 321
Susana Viola Jacobson earned a B.F.A. at the University
of Utah and a M.F.A at Stanford University. She teaches graduate
painting and graduate
seminars in drawing and color/collage, undergraduate Visual Studies
and
has co-taught interdisciplinary courses on public art and Las Vegas
through Architecture and Historic Preservation at UPENN. She has
previously taught
at Yale University, the University of Iowa, Stanford University and
Humboldt State University, she has also been a Visiting Artist at
The Vermont
Studio Center Press (2001), Joseph and Anni Albers Foundation (1999),
Yaddo (1992), The University of Georgia in Cortona, IT (1984) and
the Roswell, Museum & Art Center (1982-83). Her awards include an Ingram-Merrill
Foundation Grant (1992), an NEA Individual Artist’s Grant (1984))
and a Skowhegan School of Painting and Sculpture Scholarship (1970).
Her work is included in the collections of Anderson Museum of Modern
Art, the Roswell Museum, Banker's Life Insurance Company, Principal
Financial Group National Headquarters, the Humboldt Area Foundation,
Stanford University,
the Salt Lake Art Center. She has been a visiting critic and speaker
at numerous universities, exhibited throughout the U.S. and is a
USFSA bronze medalist in ice dancing.
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Noah Angell, photographer
February 14-25, 2005
Artist Talk: Tues. Feb 15, 8:30pm, Library 321
Noah Angell is a young artist currently living in Washington DC,
who makes performative and time-based works spanning diverse
media - video, performance,
sculpture and combinations thereof. These works are often concerned
with topics such as anonymity, questions of language and
interpretation, and
methods of communication and signification found in pedestrian space.
Angell earned a B.F.A. from the Corcoran College of Art and
Design and studied
art at the North Carolina School of the Arts. Recently he has been
a guest critic at the Maryland Institute College of Art.
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Linnea Paskow, painter
March 3-16, 2005
Artist Talk: Thurs. March 3, 8:30pm, Library 321
Linnea Paskow’s work deals with memory and longing. It often pertains
to the place she grew up and the light and the tidewaters areas of St.
Mary’s county. In the studio, she recreates fragments of these places
with collage and drawings and subsequently turns them into paintings, distilling
what was important about an event and particular moment. She is currently
working with “the strange convergence of the memory and the reality,
astonished at the distortions of time and interpretation.” Paskow
received a B.A. in fine arts from Haverford College in 1998, studied
painting, drawing and printmaking in Italy at the International School
of Art in
Montecastello and at the Accademia di Belle Arte in Florence. In 2002
she received an M.F.A. in painting from the University of Pennsylvania.
She
was awarded a Deborah Lafer-Scher grant from Haverford and two residency
fellowships from the Vermont Studio Center. Her work has been recently
exhibited at the Painting Center in New York City and at the Gross
McCleaf Gallery in Philadelphia.
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Kira Lynn Harris, multi-media
installation artist
March 21-April 8, 2005
Artist Talk: Mon. March 28, 8:30pm, Cole Cinema
Additional Talk: Mon. April 4: Black Art at the Millennium, 8:30pm,
Cole Cinema
Living in New York City since 1998 Kira Lynn Harris
is a native of Los Angeles, CA. She is a graduate of the California Institute
of the Arts
and completed the Whitney Independent Study Program in 1999. Currently
a member of the artist group, Nomads and Residents, she was a 2001 – 2002
Artist in Residence at the Studio Museum in Harlem. Other residencies
include Art Omi in upstate New York and World Views at the World Trade
Center,
a residency program through the Lower Manhattan Cultural Council. An
artist whose minimalist work often posits an intersection of the formal
concerns
of space, light and the phenomenological with issues of individual
subjectivity as well those of culture, race and gender, Ms. Harris
has won several
awards including a 2003 Artist in Residence (video production grant)
from Harvestworks
in New York, California Arts Council Artist in Residence grants and
the 1998 Lorser Feitelson Emerging Artist award. Ms. Harris has been
exhibiting
her art widely in the past several years; her work has been shown in
galleries and museums in California, New York, Washington, DC and in
Italy. Her work
has been favorably reviewed in New York Times, Flash Art, Time Out
New York, zingmagazine, the Los Angeles Times, Artweek and LA Weekly
among
other publications.
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Robert Seng and Lisa Hein, collaborative
installation artists
April 11-29, 2005
Artists’ Talk: Wed, April 13, 8:30pm, Library 321
Robert Seng and Lisa Hein have collaborated on more than
20 site projects over the last eight years. The Manhattan-based artists
are known for their
zero-residue ideal of playful intervention. They have scrambled cabinets
in a Brooklyn tenement, and light fixtures in Christie’s staircase.
Institutional settings induce such wry critiques as the insertion of scattershot
windows into riot-proof Brutalist architecture. In galleries, Seng and
Hein treat the white cube like the inside of a skull, turning the space’s
frame-like isolation toward the psychology of exposed wiring and lowered
ceilings. Architecture becomes metaphor for the emotional economy -- making
literal its barriers, its passages and displacements. Seng and Hein currently
have site works on view at Johns Hopkins University, SUNY Purchase, and
Pratt Institute in Brooklyn. They received an Architecture Fellowship from
the New York Foundation for the Arts in 2000. Robert Seng has created installations
for Art in General, Socrates Sculpture Park and Creative Time’s 42nd
St. Project, all in New York. A Seattle native, he attended the University
of Washington and Central Washington University on the G.I. Bill, earning
an MFA in 1980. Lisa Hein had three one-person shows at Pat Hearn Gallery,
NY during the 1990’s. She has participated in group shows at
P.S.1, Center for the Arts at Yerba Buena in San Francisco, and Galerie
Philomene
Magers in Cologne. Born in Connecticut, raised in England and India
(among other places), Hein graduated magna cum laude from Yale College
in 1976.
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Alonzo Davis, mixed media artist
May 16-June 10, 2005
Alonzo Davis’s art choices and world views are
inspired by travel. It is through travel that he seeks influences, cultural
centers, energies,
new terrain and the power of both the spoken and unspoken. The magic
of the Southwest United States, Brazil, Haiti, Mexico, and West Africa
has penetrated his multi-faceted studio work. Davis works in series,
which
includes woven paintings, collage and prints. The creative springboards
for these works are elements of quilts, hides and indigenous textiles.
Davis is an experienced teacher and administrator, serving as the Dean
of the Memphis College of Art (1993-2002) and Dean of the San Antonio
Art
Institute (1991-92). His work has been shown at Georgia Southern University,
Perry Nicole Fine Art, Memphis College of Art, Louisiana Tech University,
California State University, and he has created many public art commissions
including Memphis Public Library, Hartsfield International Airport,
River Beach Subway in Boston and the Harbor Freeway in Los Angeles.
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