Idealized Arcadia

Albert Bierstadt painted the image that we have chosen
to be our idealized Arcadia. This painting reflects a perfect day when
the clouds give way to a light that beams through the break in the clouds
to reveal effulgent mountains, grazing wildlife, and pure innocence found
in the flowing waterfalls. In A Journey from Patapsko to Annapolis,
April 4, 1730, Richard Lewis describes scenery reminiscent of this
painting saying: “Far
distant Mountains drest in blue appear, And all their woods are lost
in empty air."
Albert Bierstadt’s "Among the Sierra Nevada Mountains" encompasses
everything that an idealized Arcadia could need: mountains, valleys,
lakes, forests, waterfalls, and wildlife. The serene setting seems best
to be described through the poetry of James Thomson’s The Seasons: “The
Sun sheds equal o’er the meekened day; Oh, lose me in the green
delightful walks…simple Nature reigns; and every view…boundless
in prospect; yonder shagged with wood…meantime the grandeur of
the lofty dome, far-splendid, sieves on the ravished eye.” It is
this idea that the painting, or that an idea of nature, can make one
feel a sense of peace and tranquility that the idealized Arcadia best
embodies. There is no set design for someone’s personal utopia,
and the idealized Arcadia can grow and evolve based on the wants and
needs of the envisioner. What makes Bierstadt’s painting fit as
an example of idealized Arcadia is that it seems to be its own small
ecosystem that is untouched by anything but the drastic, sweeping rays
of the sun.
Upon closer inspection, one will notice this landscape is completely
untouched by humanity; there is not a single trace of any manipulation
of the landscape. This is an important aspect of the idealized Arcadia
for it emphasizes the innocence of the atmosphere. Furthermore, the
brilliance of the light which blankets the land creates a fairytale-like
setting,
implying a sense of perfection, void of the harsh cruelties of nature.
Albert Bierstadt, Among
the Sierra Nevada Mountains, California, 1868.
Oil on canvas, 183 x 305 cm (72 x 120 in)
National Museum of American Art, Washington
30 Sept. 2003<http://www.artchive.com/artchive/B/bierstadt.bierstadt_among.jpg.html>.
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