Music
MUSC 112. Music as Communication (4S)
Designed for all students, this course will explore the way that music functions as a form of communication, bringing perspectives from a broad range of disciplines, including music theory, music history, ethnomusicology, philosophy, psychology, and aesthetics. Topics will include aspects of music composition and notation. Observations will be applied to a broad range of music. This course has no prerequisites, and fulfills the Core Exploration requirement in Arts.
MUSA 170. Beginning Class Instruction in Guitar (1E)
Basic skills, including music reading, positions, and techniques. Opportunity for individual advancement through use of solo and duet literature. Open to beginning students only. Music 170 (Guitar Class) and Music 176 (Voice Class) satisfy the teacher education methods requirements in the areas of guitar and voice respectively. An additional fee must be paid for these classes. (See “Expenses and Financial Aid” section.)
MUSA 173. Beginning Class Instruction in Piano (1E)
Basic skills, including music reading, positions, and techniques. Opportunity for individual advancement through use of solo and duet literature. Open to beginning students only. Music 170 (Guitar Class) and Music 176 (Voice Class) satisfy the teacher education methods requirements in the areas of guitar and voice respectively. An additional fee must be paid for these classes. (See “Expenses and Financial Aid” section.)
MUSA 174. Beginning Class Instruction in Piano II (1E)
Basic skills, including music reading, positions, and techniques. Opportunity for individual advancement through use of solo and duet literature. Open to beginning students only. Music 170 (Guitar Class) and Music 176 (Voice Class) satisfy the teacher education methods requirements in the areas of guitar and voice respectively. An additional fee must be paid for these classes. (See “Expenses and Financial Aid” section.)
MUSA 176. Beginning Class Instruction in Voice (1E)
Basic skills, including music reading, positions, and techniques. Opportunity for individual advancement through use of solo and duet literature. Open to beginning students only. Music 170 (Guitar Class) and Music 176 (Voice Class) satisfy the teacher education methods requirements in the areas of guitar and voice respectively. An additional fee must be paid for these classes. (See “Expenses and Financial Aid” section.)
MUSA 180/480. Choir Ensemble (1E)
Experience in performing groups with repertoire selected from a wide spectrum of literature. Limited outside engagements. May be repeated for credit. Junior and senior students will receive upper-division credit. Enrollment is by permission of the instructor.
MUSA 182/482. Chamber Singers (1E)
Experience in performing groups with repertoire selected from a wide spectrum of literature. Limited outside engagements. May be repeated for credit. Junior and senior students will receive upper-division credit. Enrollment is by permission
of the instructor.
MUSA 184/484. Jazz Combo (1E)
Experience in small performing groups with repertoire selected from a wide spectrum of literature. Limited outside engagements. May be repeated for credit. Junior and senior students will receive upper-division credit. Enrollment is by permission
of the instructor.
MUSA 185/485. Wind Ensemble (1E)
Experience in performing groups with repertoire selected from a wide spectrum of literature. Limited outside engagements. May be repeated for credit. Junior and senior students will receive upper-division credit. Enrollment is by permission
of the instructor.
MUSA 186/486. Jazz Ensemble (1E)
Experience in performing groups with repertoire selected from a wide spectrum of literature. Limited outside engagements. May be repeated for credit. Junior and senior students will receive upper-division credit. Enrollment is by audition.
MUSA 187/487. Chamber Ensembles (1E)
Experience in performing groups with repertoire selected from a wide spectrum of literature. Limited outside engagements. May be repeated for credit. Junior and senior students will receive upper-division credit. Enrollment is by permission
of the instructor.
MUSA 189/489. Orchestra (1E)
Experience in performing groups with repertoire selected from a wide spectrum of literature. Limited outside engagements. May be repeated for credit. Junior and senior students will receive upper-division credit. Enrollment is by permission
of the instructor.
MUSA 190/490. Piano Accompanist (1E)
Experience in performing groups with repertoire selected from a wide spectrum of literature. Limited outside engagements. May be repeated for credit. Junior and senior students will receive upper-division credit. Enrollment is by permission
of the instructor.
MUSC 195/295/395/495. Guided Reading in Music (1-2E)
Coherently organized readings under the guidance of a music faculty member in an area of special interest to the student. A reading list and means of evaluation must be formalized in a learning contract prior to registration. Prerequisites: MUSC 303 and MUSC 211, consent of the instructor, and learning contract filed in the Office of the Registrar.
MUSC 197/297/397/497. Directed Research in Music (104E)
Under the direct supervision of a music faculty member, a student undertakes a research project. A learning contract that specifies the research goals and methodology must be filed with the Office of the Registrar. A maximum of four credit hours of directed research in music (397 or 497 only) may be applied to major requirements in music. May be repeated for credit. Prerequisites: Consent of the instructor, and learning contract filed in the Office of the Registrar.
MUSC 199/299/399/499. Independent Study (1-4E)
This course consists of an independent creative or research project designed by the student and supervised by a music faculty member. The nature of the project, the schedule for accomplishment, and the means of evaluation must be formalized in a learning contract prior to registration. (See “Independent Study” under “Academic Policies” section.)
MUSA 200. Concert Attendance (0E)
A co-requisite course with any private music instruction. Music majors will be required to attend eight concerts per semester. Non-music majors will be required to attend four concerts per semester. Each concert designated as acceptable towards satisfying the requirement will have an attendance sheet at the door for the students to sign as they arrive and leave. Acceptable concerts include student recitals in which one performs. Exceptions are the ensemble concerts, for which the performers do not receive attendance credit.
MUSC 201. Sight Singing and Dictation I (1F)
Elements of pitch and rhythmic training from the recognition and performance standpoint. Includes rhythmic and melodic sight singing and dictation (one- and two-part) with keyboard harmony. These courses must be taken in sequence. Prerequisite for MUSC 202: MUSC 201.
MUSC 202. Sight Singing and Dictation II (1S)
Elements of pitch and rhythmic training from the recognition and performance standpoint. Includes rhythmic and melodic sight singing and dictation (one- and two-part) with keyboard harmony. These courses must be taken in sequence. Prerequisite: MUSC 201.
MUSC 203. Music Theory I (3F)
Review of such fundamentals as notation, intervals, scales, key signatures, chord construction, and study of Western common practice harmony. MUSC 203 (with co-requisite MUSC 201) fulfills the Core Exploration requirement in Arts. Co-requisite for MUSC 203: MUSC 201; Prerequisite for MUSC 204: MUSC 203; Co-requisite for MUSC 204: MUSC 202.
MUSC 204. Music Theory II (3S)
Review of such fundamentals as notation, intervals, scales, key signatures, chord construction, and study of Western common practice harmony. MUSC 203 (with co-requisite MUSC 201) fulfills the Core Curriculum requirement in Arts. Co-requisite for MUSC 203: MUSC 201; Prerequisite for MUSC 204: MUSC 203; Co-requisite for MUSC 204: MUSC 202.
MUSC 205. The Story of Music (4S)
The development of western music, from antiquity to the present day, encompassing both classical and popular styles. Ability to read music is not necessary. This course satisfies the Core Curriculum requirement in Humanities.
MUSA 206. Class Wind Methods (1E)
Designed primarily for music education students; includes group study, performance, and the teaching of voice and various instruments.
MUSA 207. Class Brass Methods (1E)
Designed primarily for music education students; includes group study, performance, and the teaching of voice and various instruments.
MUSA 208. Class String Methods (1E)
Designed primarily for music education students; includes group study, performance, and the teaching of voice and various instruments.
MUSA 209. Class Percussion Methods (1E)
Designed primarily for music education students; includes group study, performance, and the teaching of voice and various instruments.
MUSC 216. Introduction to the World’s Music (4F)
Designed for the general student, this course serves as an introduction to music and musical practices around the world. This course addresses the challenge of listening to unfamiliar sounds as “music” and explores the relationship between music and society. This course satisfies the Core Exploration Cultural Literacy requirement.
MUSC 217. The Jazz Makers (4)
This course, designed for the general student, traces jazz from its historical roots, and then follows its development to present day practices. The focus is on the artists and social issues that shape the idiom, using recordings, videos, films, and transcribed solos. The ability to read music is helpful but not essential for successful participation. The format is lecture/discussion. This course satisfies the Core Curriculum requirement in Humanities.
MUSC 221. Topics in Music History (4)
Specialized studies in western music history. May be repeated for credit if the topic is different. Check the online Schedule of Classes for topics and prerequisites. This course satisfies the Core Curriculum requirement in Humanities.
MUSC 223. Topics in Ethnomusicology (4)
Ethnomusicology may be defined as the anthropology of music; it thus encompasses all of the world’s music and emphasizes the relation between music and other aspects of culture. The topics covered may include a specific regional tradition, a musical genre viewed cross-culturally, the methodologies of ethnomusicology, or a musical topic viewed from an ethnomusicological perspective. May be repeated for credit if the topic is different. Check the online Schedule of Classes for topics and prerequisites. This course satisfies the Core Exploration Cultural Literacy requirement.
MUSC 227. Music and Myth (4)
Since before the dawn of recorded history, when humanity recounted its most time-honored tales in song, music and myth have gone hand in hand. This course will explore a relatively recent instance of this – the Germanic and Scandinavian myths revolving around the concept of a ring of power, as interpreted by the nineteenth-century composer Richard Wagner in his monumental four-opera cycle The Ring of the Nibelung, one of the most ambitious artistic projects of all time. Also to be studied are two striking examples of its influence: J. R. R. Tolkien’s The Lord of the Rings and George Lucas’ Star Wars. No prerequisites: the ability to read music is not necessary. This course satisfies the Core Exploration Humanities requirement.
MUSC 228. Music and Art (4)
This course will examine the relationship between music and the visual arts from three fundamental perspectives. Firstly, it will study the ways in which music has been influenced by art or has invoked a visual quality. Secondly, it will investigate the manner in which art has responded to music or has deliberately aimed for a “musical” quality. Finally, it will consider some of the means by which music and art have worked together. No prerequisites: the ability to read music is not necessary. This course satisfies the Core Exploration Humanities requirement.
MUSC 229. Film Music (4)
Music in films is not just an accompaniment, but an essential part of the experience. The music can heighten our emotions, create atmosphere, explain actions, and do an endless amount of other work on behalf of the narrative. Designed for the general student, this course will examine film music to understand some of the many ways that it is used, beginning with basic information about films and their music. The works we will study cover a century of film making, beginning in the early 20th-century and ending with current cinema. No prerequisites: the ability to read music is not necessary. This course satisfies the Core Exploration Humanities requirement.
MUSC 230. Literature and Opera (4)
This course, designed for the general student, examines how the same story can be told in many different ways: just as when a movie is made from a book, when a composer creates an opera from a literary work he must make decisions about what to keep, to discard, and to change. We will first consider several different literary works, and then discover what happens when they are retold as operas, considering what is gained, lost, and changed in these musical retellings. No prerequisites: the ability to read music is not necessary. This course satisfies the Core Exploration Humanities requirement.
MUSC 231. Gender and Music (4)
Designed for the general student, this course considers how gender influences music. From how we speak and write about music, to how we perform it and support it, issues of gender invade and inform our knowledge and enjoyment of music. We will explore such things as how gender influences discussions of music, affects both performer and audience, renders or removes power, and confuses expectations of voice. We will consider both classical and popular music, past and present. No prerequisites: the ability to read music is not necessary. This course satisfies the Core Exploration Cultural Literacy requirement.
MUSC 232. Music of the Silk Road (4)
Designed for the general student, this course explores the music cultures of the lands of the legendary Silk Road: those routes taken by traders between Venice and Japan from the time of the Middle Ages and later. Songs, instruments, dances, and ideas about music travel, both now and in the past, and act as agents of change in the way a culture makes its music. This course will be an exploration of those melodies, modes, instruments, dances, philosophies and aesthetics that make up the music cultures of several places on the Silk Road: Japan, Korea, China, India, Central Asia, the Middle East, and Venice and the West. No prerequisites: the ability to read music is not necessary. This course satisfies the Core Exploration Cultural Literacy requirement.
MUSC 233. Music of Latin America (4)
This course, designed for the general student, explores some of the enormous body of music that comes under the designation of Latin American Music. Many of us have some ideas about it (salsa rhythms, tango, mariachi), but there is a wealth of genres and styles, aesthetic ideas and spiritual connections, that make up this vast repertoire. We will use readings, listening assignments and films to gain an understanding of these musics. No prerequisites: the ability to read music is not necessary. This course satisfies the Core Exploration Cultural Literacy requirement.
MUSC 234. Composing with Computers (2AS)
An overview of the possibilities opened to people seeking to create music through digital technology. The course will include an introduction to music sequencing, the creation and use of loops and sampled sounds, and digital sound editing, all of these applied to music creation. May be repeated once for credit. This course, if taken twice, fulfills the Core Curriculum requirement in the Arts.
MUSC 235. Computer Music Notation (2F)
An introduction to music notation using computer software programs. The course is designed as a logical partner with MUSC 203, Music Theory I. Formerly offered as part of MUSC 310. Students who have completed MUSC 301 have satisfied this music major requirement and are not eligible for this course. Prerequisite: demonstrated ability to read music.
MUSA 273. Intermediate Class Piano (1S)
Continuation of MUSA 174, designed particularly to help music majors pass the piano proficiency requirement, or to provide further instruction in piano to any student not advanced enough to enroll in MUSA 284/384. Instructor may, at his or her discretion, meet students individually, in groups, or as a class. An additional fee must be paid for this class. (See “Expenses and Financial Aid” section.) This course is repeatable for credit.
MUSA 280/380. Private Instruction in Guitar (1E)
Intensive study of techniques and repertory. Juniors and seniors will receive upper-division credit. May be repeated for credit. Enrollment is by permission
of the instructor. An additional fee must be paid for private instruction. (See “Expenses and Financial Aid” section.) Co-requisite for all: MUSA 200.
MUSA 281/381. Private Instruction in Piano (1E)
Intensive study of techniques and repertory. Juniors and seniors will receive upper-division credit. May be repeated for credit. Enrollment is by permission
of the instructor. An additional fee must be paid for private instruction. (See “Expenses and Financial Aid” section.) Co-requisite for all: MUSA 200.
MUSA 284/384. Private Instruction in Brass (1E)
Intensive study of techniques and repertory. Juniors and seniors will receive upper-division credit. May be repeated for credit. Enrollment is by permission
of the instructor. An additional fee must be paid for private instruction. (See “Expenses and Financial Aid” section.) Co-requisite: MUSA 200.
MUSA 285/385. Private Instruction in Strings (1E)
Intensive study of techniques and repertory. Juniors and seniors will receive upper-division credit. May be repeated for credit. Enrollment is by permission
of the instructor. An additional fee must be paid for private instruction. (See “Expenses and Financial Aid” section.) Co-requisite: MUSA 200.
MUSA 286/386. Private Instruction in Voice (1E)
Intensive study of techniques and repertory. Juniors and seniors will receive upper-division credit. May be repeated for credit. Enrollment is by permission
of the instructor. An additional fee must be paid for private instruction. (See “Expenses and Financial Aid” section.) Co-requisite: MUSA 200.
MUSA 287/387. Private Instruction in Percussion (1E)
Intensive study of techniques and repertory. Juniors and seniors will receive upper-division credit. May be repeated for credit. Enrollment is by permission
of the instructor. An additional fee must be paid for private instruction. (See “Expenses and Financial Aid” section.) Co-requisite: MUSA 200.
MUSA 288/388. Private Instruction in Woodwinds (1E)
Intensive study of techniques and repertory. Juniors and seniors will receive upper-division credit. May be repeated for credit. Enrollment is by permission
of the instructor.. An additional fee must be paid for private instruction. (See “Expenses and Financial Aid” section.) Co-requisite: MUSA 200.
MUSA 289/389. Private Instruction: Composition (1E)
Study of basic compositional techniques leading to the creation of original works for various performing media. Juniors and seniors will receive upper-division credit. May be repeated for credit. An additional fee must be paid for private instruction. (See “Expenses and Financial Aid” section.) Prerequisite: Consent of the instructor.
MUSC 303. Music Theory III (3F)
Study of the theory of 19th-century music, with exercises in writing and analysis. Prerequisites: Successful completion of MUSC 202 and 204 or consent of the instructor; Co-requisite: MUSC 309.
MUSC 304. Music Theory IV (3AS)
Study of the theory of 20th-century music, with exercises in writing and analysis. Prerequisites: Successful completion of MUSC 303, MUSC 309, and the Core Curriculum requirement in mathematics or consent of the instructor; Co-requisite: MUSC 311.
MUSC 309. Sight Singing and Dictation III (1F)
Continuation of study of materials begun in MUSC 201 and 202. Drills in sight singing, melodic and harmonic dictation (diatonic, chromatic, atonal), reading music in all clefs. Prerequisites: Successful completion of MUSC 202 and 204 or consent of the instructor.
MUSC 311. Sight Singing and Dictation IV (1S)
Continuation of study of materials begun in MUSC 201 and 202. Drills in sight singing, melodic and harmonic dictation (diatonic, chromatic, atonal), reading music in all clefs. Prerequisites: Successful completion of MUSC 202 and 204 or consent of the instructor.
MUSC 316. Arts Administration: The Business Behind the Curtain (4)
This course provides an overview of the industries that form the foundation and provide the delivery of the arts to the public. Topics include: Non-profit 501c3s, Grants, Boards, Artist Management, Marketing, Publicity, Fundraising, Administrative Structure, Publishing, Recording, Unions, Arts Councils, the NEA, Project Development, and Audience Engagement and Building. With special guest speakers.
MUSC 318. Music History Survey I (4S)
A study of the development of music in the Western world from classical antiquity to 1750. Prerequisites: Ability to read music plus completion of MUSC 203 (or its equivalent) are required.
MUSC 319. Music History Survey II (4F)
A continuation of MUSC 318 encompassing music from 1750 to 1900. Prerequisites: Ability to read music plus completion of MUSC 204 (or its equivalent) are required.
MUSC 320. Music History Survey III (4S)
A continuation of MUSC 319 encompassing music from 1900 through to the present day. Prerequisites: Ability to read music plus completion of MUSC 303 (or its equivalent) are required.
MUSC 332. Form and Analysis (4AS)
A detailed study of musical forms (sonata, concerto, and rondo), and an introduction to advanced analytic techniques and the writing of formal musical analysis. Prerequisite: MUSC 303 or consent of the instructor.
MUSC 340. Orchestration and Arranging (4AS)
Study of the problems encountered when writing for orchestral instruments alone or in combination. The course will focus on writing and arranging for orchestra, both to provide practical experience in writing and arranging, and to enhance score-reading abilities. Prerequisite: MUSC 203 or consent of the instructor.
MUSC 342. Counterpoint (4AS)
A study of species and tonal counterpoint, with written exercises and analytical projects. Prerequisite: MUSC 303 or consent of the instructor.
MUSC 360. Choral and Instrumental Conducting (4)
Study of beat patterns, baton techniques, and rehearsal techniques using critical score analysis of choral and instrumental literature. Class functions as its own performing laboratory.
MUSC 365. Diction for Singers (2)
Designed for singers, this survey course introduces singers to the International Phonetic Alphabet and its use; the rules of correct pronunciation in English, Italian, German, French, and Spanish lyric (sung) diction; and the use of diction as an interpretive tool. Prerequisite: Music major status, or permission of the instructor.
MUSC 398/498. Off-Campus Internship (4-16E)
A variety of off-campus experiential learning opportunities can be arranged through the Career Development Center. The off-campus internship is an individually designed experience that allows the student to explore the relationship between learning in the classroom and the practical application of knowledge in everyday work situations. Prerequisites: Admission to the Internship Program and approval of the department chair. (See “Internships” under “Academic Policies” section.) Credit/no credit grading.
MUSA 473. ALBA, ITALY PROGRAM (2SU)
Participation at the Alba International Music Festival, a two-week intensive musical experience involving the study of European music in a European environment. Singers will rehearse and perform with the St. Mary’s College Chamber Singers. Instrumentalists will rehearse and perform chamber music and sit in with various professional ensembles. All students attend daily concerts and numerous master classes. Students in composition will have private lessons and daily composition master classes. This course may be repeated for credit.
MUSA 492. Opera Scenes Class (1S)
Opera Scenes Class is designed for the student of singing interested in the various elements which comprise the preparation and performance of opera scenes. The class will treat such issues as text and musical interpretation, characterization, blocking, movement and scenic elements. Students will be cast in various scenes appropriate to their development and will present their work in a public performance at the conclusion of the semester. Enrollment is by audition.
MUSC 493. St. Mary’s Project (4F)
This seminar will examine performance and scholarship. The aim of the seminar will be to guide students as a group as they begin the design, preparation, and execution of a project that contains both musical performance and a research component (see MUSC 494). Students should request guidelines for projects from the music chair at the beginning of the junior year. Prerequisites: MUSC320, and MUSC 304 or 332, or consent of the instructor.
MUSC 494. St. Mary’s Project (4S)
Guided by a faculty mentor designated by the Music Department chair, students will design, prepare, and execute a project that features performance and research. Typically, the performance will be a public, full- length recital, but other options are possible. The research component normally will consist of a paper on a topic related to the public performance and that demonstrates the student’s ability in music history or theory. The project must demonstrate methodological competence. It must draw on and extend knowledge, skills of analysis, and creative achievement developed through previous academic work. It must include a reflection on the social context, the body of literature, or the conceptual framework to which it is a contribution. Prerequisites: MUSC 493 and approval of the proposed project by the music faculty.